Freecovers is a large, fast and easy cd cover archive. It maintains a huge database of high quality cd and dvd covers! Take out the trash, eat your broccoli - who needs moms. Mars Needs Moms Movie Trailer. Mars Needs Moms Movie. Title: Mars Needs Moms (2011) 5.4 /10. Want to share IMDb's rating on your own site? You must be a registered. Let's All Go To Mars! Matki w mackach Marsa 3D - Mars Needs Moms *2011*. Compression mode : Lossless / Lossy Title : DTS-HD MA 7.1 Original Language. Best Scene in Mars Needs Mom 2011 Winky Zero. Subscribe Subscribed Unsubscribe 9 9. Mars Needs Moms Blu- ray. The rich, layered wit, humor and resonance of some of the tales may sail over the heads of pre- schoolers, but slightly older children (and their enthusiastic moms and dads) will be entranced by Breathed's stories and illustrations, and find themselves returning to his books week in and week out. Yes, they're really that good. Mars Needs Moms Synopsis. Every so often a bunch of kids are born on mars. The supervisor (Mindy Sterling). Mars Needs Moms jettisons Breathed's breathtaking art, sense of endless wonder and indispensable characters in favor of the motion captured work- in- perpetual- progress animation of Robert Zemeckis' Image. Movers Digital; vast, unsettling uncanny valley and all. But even if your family isn't familiar with Breathed's beautifully penned story, Mars Needs Moms is too generic and uneven a film to stir up much excitement. The remainder of the film is an exercise in expanding a short tale into an eighty- plus- minute family- friendly adventure. Inevitably, some of it works, some of it doesn't. Milo befriends an older, not- so- much- wiser Mars- stranded Earthling, a subterranean survivor named Gribble (Dan Fogler), and soon discovers that the Martians, led by the villainous Supervisor (Mindy Sterling), are preparing to transplant his mother's maternal instincts into a fleet of robots tasked with rearing their unruly children. Milo's weight was less on Mars than Earth, which would. Discuss this movie with other users on IMDb message board for Mars Needs Moms (2011) Recent Posts. Chocolat (Blu-ray), Fast Times at Ridgemont High (Blu-ray), Mars Needs Moms. Home Theater Movie Renter’s Guide. Audio has been upgraded to a lossless. To Milo's dismay, though, the process will kill dear ol' Mom. And as much as he hates eating broccoli and cleaning up his room, he certainly doesn't want to see the source of his misery come to any harm. Of course, Milo soon learns that he's been taking his mother for granted all along and, in the race to save her life, learns a little something about himself and growing up as well. But in filling out Breathed's otherwise simple story, Mars Needs Moms loses its focus. Gribble slowly comes to terms with painful memories and ghosts from his past, the Supervisor's sinister role in her planet's social structure is revealed, a free- spirited Martian named Ki (Elisabeth Harnois) uncovers shocking secrets and races to enlighten her people, the Martian males are oppressed from birth and banished to the lower levels of the city.. Milo's personal plight isn't just one of many; the poor kid is given as much attention as the next guy (or Martian as it were). What should be the planet- traipsing adventure of a boy rescuing his mom turns into an adventure, a liberation story, an empowerment fable, a tear- stained tragedy, a generation- gap comedy, a morality tale and an at- times frightening Mother- in- Peril thriller all mashed into one. And, oh, how younger viewers will cower. After seeing one mother vaporized in a Martian machine by the rising sun, little kids are sure to bury their heads as far under the covers as they can anytime a character is in danger. It's a bit mean- spirited, actually. A memory is triggered of a devastating event (grab those tissues), a boy sits helpless in a ravine as the clock ticks down, an electrified needle extends towards a mother's forehead (for what seems like an eternity) as her terrified son tugs at a jammed latch, and a broken helmet spells doom for one (then two) characters as each one gasps for air that isn't there (again, for what seems like an eternity). I'm all for toughening kids up with darker themes and what not, but Mars Needs Moms almost enjoys torturing the kiddies; in the case of my six- year- old son, to nearly unbearable ends. The film's sense of humor doesn't help much either, as the vast majority of the jokes - - many of which hinge on '7. Martian hijinks and little else. Yet for all its missed opportunities and inconsistencies, all is not lost. Mars Needs Moms is decent family fare teeming with enough laser- blasting action, low- gravity heartstrings and roaring rocketship adventuring to entertain your brood, at least for the better part of a rainy evening. The actors' performances are fittingly infectious, even if their voices deliver far more emotion and energy than their motion- captured faces. Dusky is given the most challenging task (as he didn't have the chance to run around a set like everyone else), but the kid handles his mic like a pro, capping off what Green started without succumbing to the sleepy lull of the voiceover booth. The Wells' script is lively and sure- footed too, which is a godsend considering how often their adaptation gets bogged down by the hydra that is their seven- headed story. Yes, the screenplay is chunky. Contrived, crowded and saddled with exposition, no doubt. But, to their credit, it's rarely overwhelming. The two whip from scene to scene with ease, hone the mounting tension with laser- like precision, and tie up every loose end in quick, satisfying succession. Even their three- pronged endgame - - Save Mom! Liberate the Martians! And, while I'm not a big fan of the film's animation - - The dead eyes! The wooden appendages! The labored facial expressions! Even Milo looks pretty good (for a virtual incarnation of a pre- teen Seth Green), meaning Cusack and Fogler are the only players forced to bear the brunt of the mo- cap curse for any substantial length of time. Milo's mother is, to quote my son, . Breathed's story and illustrations are so clear in my mind's eye that I have a hard time seeing anything but the film's squandered potential. That said, even those unfamiliar with the original tale will struggle with everything from the animated adaptation's plotting to its pacing to the animation itself. I would recommend renting Mars Needs Moms and buying the book. Your money and time will be better spent. I did notice some exceedingly minor, arguably negligible banding, but it's so faint and fleeting, so innocuous, that I hesitate to even mention it. Mars Needs Moms is stunning, and color, contrast and clarity are impeccable. Mars' palette is substantially darker than most computer animated films (shadows lord over the Martian fortress and darkness drapes over the underground reaches of the planet), but there's a richness to the colors; an arresting fullness that, uncanny valley notwithstanding, bolsters the relative realism of the sun- dusted planet, its dazzling underground caverns, Ki's vivid graffiti paints, the blue glow of Gribble's command consoles, the stark white corridors of the sterile halls, and the lush, green respite of Earth. Every pixel is on point as well, and the encode is wonderfully proficient. Detail never falters, fine textures are as refined and precisely- resolved as they should be, and artifacting, aliasing, noise and other alien invaders are held at bay. Simply put, I can't imagine Mars Needs Moms could look much better than it does here. Disney's DTS- HD Master Audio 7. Martians and liberates the oppressed in engaging, enveloping succession, delivering a dauntless sonic experience more immersive than the adventure it accompanies. Milo's misadventures with broccoli and early arguments with his mother fail to impress - - flat and front- heavy as they are - - but the moment the boy stows away aboard a spaceship bound for Mars, the mix doesn't relent. LFE output is weighty, able- bodied and authoritative, yet not so domineering that it overwhelms lighter elements in the soundscape. Rear speaker activity is nimble and aggressive, filling the soundstage with painstakingly accurate directional effects (whooshes, whizzes and weens), involving ambience and convincing acoustics. Mars Needs Moms sounds fantastic and tops off Disney's AV presentation magnificently.
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